News & Events

For over 20 years of my visits the retreat has cradled me, whichever mood I am in. The home baked bread and honey remain a comfort in a kitchen that brings my grandmother's memories to life. (At home I cook from the coffee table quality BRC cook books.) The coming together of Nature, Art, Science and Spirit at this place where Alan Paton's hills unfold, makes it a place where folks from all faiths, and none, are welcome. Spirit is spacious here.

Mari Pete: 07.10.2017

Read more 

The Buddha statue at the BRC has an interesting story. The idea of constructing it occurred to me when I travelled widely in the East during the 1950’s and 60’s where I came across the majestic ruined remains of the ancient Buddhist monastic cities, built centuries before the Christian era - such as you find in India, Thailand, Burma and Sri Lanka. They had been vandalised by hordes of antagonistic invaders who used the sculptures to vent their hatred of religions other than their own - much as Napolean’s soldiers did to the sphinxes guarding Egyptian pyramids when they used them as targets in rifle shooting practice. It happened again during the Crusades and the Reformation and, recently, when the Taliban went berserk in the Middle East.

Book early for “Awakening from the illusion of separateness: a Zen retreat” led by international Zen teacher, David Loy, from December 20-27. “To study the Buddha Way is to study yourself. To study yourself is to forget yourself. To forget yourself is to realise your intimacy with all things.” Read more about the retreat here.

“We are here to overcome the illusion of our separateness” Thich Nhat Hanh

 Friends, this is an invitation to a public talk or retreat over the Christmas and New-Year Season with leading edge philosopher David Loy. Do listen to a short interview here with David where he talks about the interface of inner transformation through spiritual practice and a world in crisis.

David is an esteemed American Buddhist author, philosopher, activist and teacher. He trained in the Sanbo Zen tradition of Japanese Buddhism and a professor of Buddhist Studies. His articles appear regularly in journals such as Tricycle and Buddhadharma, and his latest book is A New Buddhist Path: Enlightenment, Evolution and Ethics in the Modern World. David’s other books include, Money, Sex, War, Karma and The World is Made of Stories.

In the wake of his successful courses, Louis is offering another weekend of Japanese brushpainting.

Louis has conducted traditional Japanese brush painting courses in Ixopo and Cape Town for many years.  Following many requests, he has just started a four-weekend course in Durban with an appreciative group of students.  He has now been asked to offer an introductory 3-day course in this fascinating ancient Eastern art, using the traditional tools: deer hair brushes and ink made of pine soot.  You will learn the basic strokes the brush is capable of making and the shades of grey the ink can produce to depict the character of our natural environment – in landscape, plants, flowers and trees.

Dates: 29, 30 October 2016.
Cost: R800 - includes a set of sample paintings and the hire of a set of brushes, ink and rubbing slate.  A set of brushes, ink and slate can be purchased at a cost of R700 

If you can hand-write a letter, you can sketch – it is as simple as that. “Sketch what you see” in Durban with Louis van Loon: 11-13 November.
Pen and ink sketching is a very rewarding skill to acquire. Yet, no special talent is required. Louis will take you from the stage where you claim that you “can’t draw a straight line”,  through some elementary exercises in “Seeing-Drawing”,   such as still-lives and interiors,  to figure studies and portraits. You will be encouraged to simply  notice what something looks like from where you are viewing it - and draw it like that. You will then be able to take your sketch pad and pen anywhere and draw anything that takes your fancy. You will be truly present in where you are.  For enquiries for his Durban course: louis@vanloon.co.za

During the 1960’s, the Departments of Religious Studies and Philosophy at South African universities arranged a series of public lectures on ethical subjects, such as euthanasia, professional secrecy, suicide and so on.  I was then practicing as an architect and civil engineer, but was also an enthusiastic student of eastern philosophy - in particular, Buddhism.   I noticed that the lecturers were largely ignorant of the teachings of the Buddha.  I therefore made contributions to the debates from a Buddhist perspective, from the floor, as a member of the audience.  I felt that it could add a vital element to our understanding of how religions and philosophies can throw a useful perspective on contemporary social problems.

An introduction to Japanese Brush Painting (Sumi-e) & Raku Pottery

Join renowned potter Anthony Shapiro and Louis van Loon, founder of The Buddhist Retreat Centre, Ixopo in this fascinating experience of Shibuie - a form of art that relies as much on unpredictable natural processes as it does on the artist directing them.

An introduction to Japanese Brush Painting (Sumi-e) & Raku Pottery

Join renowned potter Anthony Shapiro and Louis van Loon, founder of The Buddhist Retreat Centre, Ixopo in this fascinating experience of Shibuie - a form of art that relies as much on unpredictable natural processes as it does on the artist directing them. 

Louis will teach participants the classical Japanese brush painting techniques (sumi-e) using the genuine materials.
Under Anthony’s direction, participants will produce a pinch pot which they will carve and decorate. They will receive another two tea bowls to sumie-decorate and glaze.

A course in Japanese brush painting - conducted by Louis van Loon

Louis was taught the ancient eastern art of Sumi-e (Japanese Ink Brush Painting) by one of the last remaining elderly “Living Legends” of this exquisite form of art at a small sumie studio in Kyoto, Japan, in 1959. Since then he has taught sumie to appreciative students at The Buddhist Retreat Centre and at Art In The Forest (previously Tretchikoff’s studio) in Constantia, Cape Town.